o (1992) B.A., Theory of Korean Traditional Music (Department of Korean Music, Seoul National University) (1992) 서울대학교 음악대학 국악과 졸업 o (1994) M.A., Korean Musicology (Department of Korean Music, Seoul National University) (1994) 서울대학교 대학원 음악학과(국악이론 전공) 졸업 o (2003) Ph.D., Korean Music (Program in Musicology, Seoul National University) (2003) 서울대학교 협동과정 음악학(한국음악학 전공) 졸업
Professional Experience
o (2024~Present) Assistant professor, Kyungpook National University, Kyungpook (2024) 경북대학교 조교수 o (2021-Present) Board Member of Korean Musicological Society, The Society of Korean Performance Art and Culture, The Society of Korean Folk Song
Research Interests
Theoretical and Historical Research in Korean Traditional Music/Korean Popular Music(Muaical Anlaysis, Gender, Local Isuues) and Korean Contemporary Music
Major Research Achievements
o Social History of Korean Modern Music (2004) o Musical Mnemonics-an Aural Notation in Korean Instrumental Music(2011) o Traditional Music in North Korea(2000) o Publication of the Musical Scores in King Sejong’s Annals and its Meanin(2021) o Research on the Adoption of Western Music in North Korea through the Soviet Union during the Early Division Period(2023) o The Japanese Musician Ishikawa Ki’ichi’s Contact with Folk Songs and His Point of View about Modern Research and Colonialism in the 1920s(2020) o The Institutional Appropriation of the Korean Court Music Tradition by the Japanese Colonial Power: A Focus on the Official Secret Document “The Paper for the Chosŏn Court Orchestra Organization (雅樂隊에 관한 건)” (1921) (2023) o The Change and its Meaning of the Musical Styles of Modern Folk songs: A Steps of Change in the Musical Sign of Resistance and Triumph(2022) o Shin Joong Hyun’s Rock Sonority and Korean Pentatonicism in “Miin (2017) o Industrial Folksong and the Popular Music in Modern Era(2014)
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