Personal profile
In Korean
조주현 교수(예술대학/미술학과)
Education
o (2011) B.A., Fine Art, EWHA WOMENS UNIVERSITY, Seoul
o (2011) B.A., Korean Painting, EWHA WOMENS UNIVERSITY, Seoul
o (2015) M.F.A.,Fine Art, Goldsmiths University of London, London
o (2011) B.A., Korean Painting, EWHA WOMENS UNIVERSITY, Seoul
o (2015) M.F.A.,Fine Art, Goldsmiths University of London, London
Professional Experience
o (2025~Present) Assistant Professor, Kyungpook National University, Daegu
o (2018~2018) Lecturer, Kyungpook National University, Daegu
o (2016~2018) Lecturer, Daegu University, Daegu
o (2018~2018) Lecturer, Kyungpook National University, Daegu
o (2016~2018) Lecturer, Daegu University, Daegu
Research Interests
Mindscape, Micro history, Ecotopia, Collective imagination, Value of artistic labour, Drawing, Korean painting (Jinchae-hwa), Digital media, Sculpture, Installation art, Artistic process, Incompletion / Unfinished state, Memory and emotion, Conflict and solidarity, Recovery and coexistence, Value of artistic labour, Collective imagination, William Morris
Major Research Achievements
o Development of ecotopian landscape models through the method of Korean traditional deep-colour painting (Jinchae-hwa), presented in the solo exhibition A Work Towards Coexistence (Peyto Gallery, Seoul)
o Investigation of micro history as artistic data and its relation to sociopolitical agendas, articulated in the solo exhibition @project.dear.diary (Junghyun Gallery, Wrocław, Poland)
o Exploration of collective memory and spatial identity through the method of sculptural painting as restoration, realized in the solo exhibition Memories; Obersee (Villa Heike, Berlin)
o Research into the flatness and opacity of digital media images as a critical study of news dissemination and visual culture, conducted in the solo exhibition Flat Digital (Chungmuro Media Centre, Seoul)
o Investigation of micro history as artistic data and its relation to sociopolitical agendas, articulated in the solo exhibition @project.dear.diary (Junghyun Gallery, Wrocław, Poland)
o Exploration of collective memory and spatial identity through the method of sculptural painting as restoration, realized in the solo exhibition Memories; Obersee (Villa Heike, Berlin)
o Research into the flatness and opacity of digital media images as a critical study of news dissemination and visual culture, conducted in the solo exhibition Flat Digital (Chungmuro Media Centre, Seoul)
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