Everyday rehearsal of death and the dilemmas of dying in super-ageing Japan

In recent years, a new trend of performing a 'good death' has swept Japanese society. Popular, especially among the elderly, shukatsu (çμ ") refers to the phenomenon of preparing for one's own demise through various practices, in particular, the writing of an 'ending note. A will designates the beneficiaries of one's estate or property after one's passing, whereas an ending note not only includes financial and legal matters, it goes far beyond that. It contains provisions for the deceased-to-be's end-of-life treatments, such as hospice care, as well as explicit instructions for seemingly mundane details such as the guest list, flower arrangements, and casket for one's funeral. This trend of engaging in shūkatsu can be viewed as a part of the biopolitics of a super-ageing Japanese society in which the elderly are now expected to manage all aspects of their own lives-including the disposal of their bodily remains when they pass away. Yet, as this anthropologically informed analysis discloses, such biopolitics also gives rise to a new set of ethical dilemmas for the elderly and their families, constituting a new form of politics of life and death. Indeed, rejecting the neoliberal injunction to efficiently separate death from life, many elderly try to recover- A nd resituate-death within the social and ethical realm of the living.